"Chain"

Recently produced by Jem Cohen in 2004, the motion picture Chain takes us on a journey. Two journeys, actually, journeys that appear to cross, yet inexplicably never meet. This narrative documentary of two women living amidst a homogenous urban/suburban backdrop is a juxtaposition of their respective(prenominal) tales, stories that on the surface area apparently vastly different, further in truth are intimately connected.

Tamiko and Amanda, representing opposite ends of sophisticated society, are our two stars in this film. Tamiko, the well-paid Japanese office player looking for commercial property opportunities in the US, initially appears to be the more normal of the two, turns out to be awkward, almost robotic and plainly obsessed with her day job and The Company. Amanda on the other script is a teenage run-away cobbling together a dreadful existence on the margins of society, apparently just another dreamy, job-hunting swear with no real purpose in life. This direct compare of two vastly different entities is one subtle demo of the far-reaching and widely varying effects of globalization, Tamiko being new to the acres through her business dealings, and Amanda appearing to be too devil-may-care to make an effort to do anything. Moreoer, Amandas obsession with malls and Tamikos employment with an world(prenominal) Japanese corporation further affirm this.

Taking a deeper look, the vociferous erosion of regional character giving way to embodied homogenization of landscape was cleverly embedded into almost any setting of the characterization by director Jem Cohen. Globalization has direct to this gradual convergence in scenery that is taking institutionalise all over the world, as it was impossible to tell where the movie was being shot. In truth, scenes from the movie had been shot all over the world, but one could only know this having waited for the credits to vomit up after watching it;...

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