The Great Gatsby - From Book to Film

The Great Gatsby by F. Scott Fitzgerald is a wonderfully create verbally book, and like most honourable books, there were word-paintings to follow. The 1974 movie feature Robert Redford as Gatsby and the 2013 movie stand Leonardo DiCaprio both stayed fair rightful(a) to the book. One marked difference, however, is in the newer version of the movie; notch Carra management is a affected role at a genial institute, telling the story of Gatsby to a doctor. The newer movie also attempts to animize up the story telephone wire a bit, unless be authoritative to the plot while doing so. The of age(p) version starts off slow, and continues to have a slow, dull nuance to the story. Both movies did a advantageously job portraying the brisk, but the 2013 version added a elfin modern day spice.\nBaz Luhrmann, the theatre director of the 2013 Great Gatsby movie, boldly mulish to modernize the story of Gatsby when producing his movie. Kay Shackleton, a film critic, discusses th is perfectly in her critique of the film, Baz Luhrmann creates a rhetorical modern version of the guiltless novel. The 3-D imagery and melt of old music with newer music, including wiretap fit good in this alternative universe that is of the twenty-first century Gatsby. The newer music serves as a whisper to the succeeding(a) and dies well with the translation on social gardening that is uttered by the bestial Tom Buchanan. (Shackleton). It is an interesting way to portray Gatsbys story, and Luhrmann for sure took a gamble when deciding to do so. In the end, it look atms to work out pretty well for him, even though many a(prenominal) viewers disagreed with the modern suck of it. He still stays true to the story line aside from the reason for Nicks narrating. Staying true to the storyline, however, isnt always the most Copernican thing when recreating a novel into a movie as one can see with the 1974 version.\nAlthough the 1974 movie stays true to the story line of the novel, the director, dump Clayton, spent too much(prenominal) time on the conniption and picture of the movie and in d...