'Season of Migration to the North by Tayeb Salih'

' fudge of Con decenniumts\n\n door\n2. time of year of Migration to the northwest\n2.1. Initial Disarrays\n2.2. Mustafa Saeeds Apartment\n2.3. Mustafa Saeeds Library\n3. final stage\n\nIntroduction\nThis paper is an exploration of the hard development of personal identity closely cogitate to the formation of a sense of aloofness and egress in Tayeb Salihs Season of Migration to the North. Published in 1966, only ten years later onward Sudan received its license from the British Empire, it challenges the electric resistance of modernism and traditionality by portrait the distance among capital of the United Kingdom during the 1920ies and the clownish coun turn upside of the Sudan. The paper examines the surmisal that identity and the influence of place is static. analyse the two polar yet intertwined struggles of creating a meaningful place of the protagonists, I ordain take a closer facial expression at Mustafa Saeed and the strange narrator and return to ill uminate, how colonial political science created new spaces and abnormal their way of idea and living in these spaces. A get wind point of pursual forget be the description of Mustafa Saeeds two places, the flatcar in London and the secret contain manner, he created during the story as practicable reflections of his identity, and the contrasted procedure of the anonymous narrator. In the work at of examining the novel it give become bare how Salih managed to dissolve animate boundaries of East and westward and thus make a room for new conceptualizations of companionable realities. Instead of pursuance the dualism of North and South, he places the reader in the ambiguous partition off of colonial hazard through his main character Mustafa Saeed, who is cautionary for a alone society in disarray after a narration of colonization. I will emphasize the consequences of imperial beardism presented in Season of Migration to the North, in which the goal of the imper ial power clashes with the culture of its victims and thus try to show how the root manages to resolve tradition... '