Fakeer of Jungheera as a Love Story Essay

The phony of Jungheer is a capacious numbers by Henry Louis Vivian Derozio. He was born on 18th April, 1809 in Kolkatta, West Bengal. He was a lecturer and poet. He is considered to be an academic and pedagogue During his time Literary Move reacht of Bengal conversion was undergoing. He was an Indian poet and assistant mind principal at the Hindoo College of kolkatta. He was a radical thinker and superstar of the first Indian educators to disseminate westerly Education and science among the new-fangled men of Bengal. He ceased of Cholera at the mature of 22. Long later on his closing, his influence lived among his occasion student, who came to be k flatn as young Bengal and earthy of whom became prominent in affectionate reform law and journalism. Inspired by the scenic beauty of the river Ganga, he started compose poetry. He was gener every(prenominal)y considered an Anglo-Indian creation of mixed partuguese desent, and he was discharged by ultranationalist ic spirit for his homegr deliver Bengal and considered himself Indian. He wrote umpteen wonderful poems in English before his untimely dying of which.The bogus of Jungheera was one of the most cardinal landmark in the hi degree of patriotic poetry in India. As he considered India to be his mother he upturned to the highest degree Indian social, political and sacred problem. He also worried about the class and caste discrimination. In his old age Bengal sloped m each problems of caste and creed. The critique and inclusion of Derozio in the grasson of Derozio in the butt endon of Indian writing in English has to do with spelly f coiffureors, bid communism, religious aspects, colonial aspects. In The phoney of Jungheera Deroiz mixed the tantric, Hindu, Mythological, Islamic and Cristian usance. He got the thought about writing the poem of spectral sock from Baital Pachisi. As the storey goes, if pansy Vikram remains stead fast in his passion for his queen he can resurrect her and once more somewhat(prenominal) can find happiness unneurotic. The insolent fortitude and courage that The King exemplifies by passing done the horrible ordeals in the graveyard orchestrateing to his triumph, inspire completion to the sad death of the imitative in the arms of his belove Nuleeni. If the Nuleeni can again be resurrected in the arms of the bogus if she can pass through the horrors and temptations of disembo fall ind spirit. counterfeit and Nuleeni ar deuce star traverse buffs like Romeo and Juliet.In Shakespeares Romeo and Juliet were the children of ii enemies whose love brought the tragic end. Here, in The Fakeer of Jangheera. Fakeer is the follower of Islam. Fakeer manner saint a person who has renounced the origination but here he loves a lady Nuleeni who is unify and also an hurryingcaste Female. Nuleeni was married to a Brahmin. Her married man draws in an previous(predicate) youth. Naleeni, the belove of Fakeer never loved her husband. In the days of never loved her husband. In the days of Henry Derozio Indian subcontinent was cought by many evils like Sati Pratha cleanup girl child by turn the still born baby in the hot pot of milk and so on Nuleeni be tenacioused to a conservative Hindu hostel in the nineteenth ascorbic acid. She was pure and fair she doesnt went to end her life behindhand a person whom she never loved. Nuleeni was brought to the bit where her husband is to be cremated. Women were singing songs measure sati. They sang of going to heaven but poor Nuleeni was woolly in the thoughts of Fakeer.She refuses to decease on the funeral pure of her husband and esapes with the highwayman faker to his cave in Jungheera to a life from death She run ford death but she starts a life of prohibit love though frightened by violent social norms she believes that her lovers courage and her anfailing love will ultimately devil them victorious. Her fair and beautiful face brightens the da rk social setting of the poem and mitigates the bold audacity of the Fakeer who snatches her from the middle of a group of mourning upper caste Hindu at the Funeral. In the intense bond of love they forgot the edict. They forgot their caste discrimination. They forget strength of power. They Forgot strength of power. They Challenged the man made norms of the society. Both of them completely forgot themselves and did non realize that their lives were at risk. Fakeer, bravely snatched her from the hands of so called quality people. Would they tolerate this wound of taking away of female by weaker sect.Here, the brave rebellion of the weaker sect draws the care to the inequality of the sexes and social malaise uncontrolled in Bangali Society of the time. In can say that the poem makes an important map in the use of social themes in literary texts endorsing a syncretistic customs duty quite popular in nineteenth century Bengal. Instead of be laboring upon the misery of sla act ually, Derozio embarked upon a mission of decide some of the inherent evils of Hindu society especially the practice of leave behind burning. The amorous atmosphere is raise due to the increase of Hindu- Moslem love affair. The Fakeer of Jungheera is in two cantos of twenty eight and twenty foursome stanzas respectively written in the iambic, anapestic, trochaic and dactylic meters to suit the different rhythems ranging from the average spoken voice and slow translation to the racy dis telles and the chant of priests and women. The poem starts with natures exposition and then takes many twists. The poem deals with many serious issues of social evil along with the tragic love affir as the protagonist of the poem is a robber Fakeer who belongs to some unsung Moslem sect, While the heroine, the widow Nuleeni, comes from an upper caste Bengali Hindu family.Derozio uses Cristain Imagery, such(prenominal) as heaven and angles flitting about. He juxtaposes this resource agains t the Hindu tradition of sati and muslim prayers. He imitates the English Romantic poets like wordsworth, shelly and Coleridge. In the poem, the imagination is marvelous. Derozio breaks all the norms of writing of the contemporaneous poem writing. It was not easy for the contemporaneous writers to break the established laws and at the alike(p) time challenging the upper-class of the cosecant. He motiveed to eradicate the social evils that lento swallowed the society. This Hindu-Muslim love story arose great sensation. The poet was marginalized in his time. The poet paints the heroine as a perfect Bengali beauty with large smuggled eyeball, black in braided tresses, a nauseous lily complexion and majestic walk. When she arrives at the funeral her eyes searched somebody when he comes she escapes with. He, her lover Fakery had to shin before taking his beloved with him. At the Fakeers cave. Nuleeni and he lived very merrily. They both are lost in the materialistic. They both are lost in the materialistic imaginative life. They are lost in their world. But Nuleeni in the midst of happy life always feared of some unseen danger.Here, the midst of happy life always feared of some unseen danger. Here, the description of nature seems to be one with the picture of the love. The first canto of the poem mainly deals with the crazy description of nature, the funeral procession of a Bengali upper-class Hindu familys son, the escape of the widow with her faker lover to his cave. The upper-class widow lived with many maid lives happily in the cave of her Fakeer lover always waiting for something unseen to impose on _or_ oppress them. She smelt something wrong. She worried for she doesnt want to depart from her lover at any cost. Many a times through the poetry we see her lost in her world, sometime. We see Fakeer lost in his dreamland. As happens in ancient Hellenic tragedies and Shakespearean tragedies, their tragic depute and geological fault of risking th eir life were waiting for them. As they were run-away lovers Nuleenis father the so called upper-class widows father would definitely avenge him.Now, Derozio sees love between a Hindu and a Muslim as transcending religion, though this could be Derozios own unbelieving vision of religion categories based on his rationalistic temper. There was a harden of identity of Bengali Muslims in the subcontinent as Islam provided a sense of belonging to the Muslim community. In the absence of powerful Muslim leadership in 19th century Bengal, the ulema emerged as the leaders. Britishers were partial too. On one hand the prohibited sati musical arrangement on the other hand they allowed macrocosm sati with permission. The hardening of religious categories in colonial Bengali lays the ground for the inevitable betrothal that ensues in the second canto. In the opening of the canto the end lies. The popular belief that love for a woman can lead any god-fearing young man away from the worshi p of Allah. Then starts the tragic events one by one. The father of beautiful widow Nuleeni determines to avenge Fakeer. He goes to Shah shibah the king of his time. He requests him to send his the States with him to avenge the Fakeer.The uncertainty of life and death begins at this stage. Nuleenis father comes to the beam where the lovers lived with the army to avenge his insult. He did not even think of his daughters happiness or love. Now Fakeer has no choice, if he runs away from the battle field. He would be caught and punished. He decides to urge back the army of Nuleenis father. The story at this point becomes somewhat sketchy but the robber Fakeer decides to make a lost stand and fight. yet Nuleeni fears that the dubious hour might playact doom Let me warn the that our doom so bright may darkly end as darkly speeds the darkness But the Fakeer is confident of Victory. Ere long Ill worn thee in my white meat again With the battle cry of the Islamic ringing afar t o fight the purple cavalry, he is mortally weakened with a lance.Nulleeni cradles him in her arms and dies unitedly with him he eloquence had all fire out. She becomes a free ingredient to choose her destiny she prefers to die together with someone she loves than with her husband whom she does not. In ancient India woman were allowed to choose their life partners on their own. In our Epics sita, Rukmani, Sati, Parvati (The incarmation of Sati) Draupadi, Subhadra, Kunti, Gandhari, Sanyogita etc. Choose their husband on their own. In absence of Pritiviraj Chauhan Sanyogita put garland on his statue and took her with him such was supercilious and glorious past culture of India which was destroyed due to foreign invasion.Nuleeni did not die behind her husband. Now, she is free here to die with Fakeer. She did not die with her husband because she did not love him but she loved Fakeer beyond anything else in the world. For him she left all the luxuries of her life, He also risked his life to be united but they were doomed to depart. Nuleeni decides to die behind him. The Sanskrit word sati means a good and vitreous woman who was actually devoted to her husband. And according to the Hindu tradition these virtues found expression is the ultimate act of self-immdation. Women who move overd themselves continued to be called sati long after they were dead and usage of the term to the sacrifice alone, the act as wellspring as the agent.The secular and universal ideas that Derozio espoused in his poetry do not go well with the separatist and divisionary politics of modern India. These are some of the revisionist consequences of modernity. However, the modes of social life that emerged in the early nineteenth century in response to modernity in India now take us beyond modernity into the information age. If India moldiness shine it must do so within its own traditions and Derozio occupies a central place in it. The poet through the impossible and bold story of love affair between Hindu upper-class widow and a Muslim lower class Fakeer reflected and criticized the evils of Indian Society.